Abstract
The elaborate symbolism painted around wall niches in Rio Grande Pueblo IV kivas ca. A.D. 1370-1600 at Pottery Mound and Kuaua describe a cosmological paradigm of layered worlds accessed by supernatural passageways. This paper examines the niche iconography at these sites and the associated metaphors represented in the surrounding murals. Equivalent to the sípàapuni and symbolic of the landscape cave, the niche as a portal to the watery and fecund underworld is often the organizing principle for west wall murals or entire kiva scenes. In addition to the prevalent stepped cloud and rainbow, these scenes frequently feature female figures and composite supernatural beings symbolic of abundance. This analysis provides insight into the focus of prehistoric kiva rituals conducted at Kuaua and Pottery Mound and the worldview with which they engaged. Finally, it is proposed that the synthesizing powers of both the simple stepped cloud and the niche itself raise these elements to the status of "nuclear ritual symbols" (Turner 1967) fundamental to Pueblo cosmology.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
