Abstract
This chapter is a direct response to the recent British Museum exhibition ‘Ice Age Art: arrival of the modern mind” which ran from 7 February–26 May 2013 (see Cook, Ice age art. Arrival of the modern mind, London, British Museum Press, 2013). The exhibition offered an unparalleled chance to see many pieces of Ice Age sculpture ‘in the flesh’; I found the experience both astonishing and thought-provoking and I want to communicate that experience here.
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