Abstract
The article examines the complex properties of the opera image as a central category of opera art. The importance of the structural and national-style aspects of the study of the opera image for compositional, performing creativity and musicological discourse in the context of the integration paradigm of modern musical art is determined. The purpose of the article is to define the main components of the complex unity of the opera image in the context of its musical and semantic integrity. It is proved that the national-style and structural factors of the integrity of the opera image are decisive for the formation of the vocal-performance interpretation, which is determined by the genre-style principles of the composer's thinking and musical-interpretive creativity.
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