Abstract

he catalogue of the holdings of the Papal Chapel prepared by Raffaele Panuzzi in 16871 has been well known to scholars of Roman music for more than a century, at least since the work of Franz Xaver Haberl.2 Yet heretofore, it has been used mainly for the reclamation of attributions, some questionable, most promi427 nently Jeremy Noble's 1971 discovery of a previously unknown ascription of a motet to Josquin.3 It is in the realm of such new evidence that Panuzzi's work bears importance for us today, for as a catalogue it has severe limitations.

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