Abstract

This paper is a by-product of my unpublished PhD thesis which I submitted to the University of Glasgow, United Kingdom, and obtained my PhD in 2016. When I first joined the University of Hull to pursue my PhD studies under the supervision of Danture Wickramasinge, I was astonished by hearing that a social theory can be used in doing a management accounting research. When Dan joined the University of Glasgow, I followed his foot-step and joined Glasgow with my desire to follow that novel tradition of research. In this paper, I illustrate how Bruno Latour and his follows’ ideas of Actor-Network Theory (ANT) challenged my way of thinking, informed my way of doing research, shaped my analytical instruments. I hope this illustration may guide emerging researchers who want to take a constructionist approach to management and accounting research which ANT has promoted, enacted and popularised around the globe.

Highlights

  • Some theories are symmetrical with methodologies, and vice versa

  • Given the nature of the research questions, which are theoretically informed by strings from Actor-Network Theory (ANT), two research methodologies have been employed in this thesis: literature review and case study

  • I can assert that ANT is useful for a qualitative researcher as a specific epistemological approach

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Summary

Introduction

Some theories are symmetrical with methodologies, and vice versa. Some argue that ANT is of this kind. It is because in taking ANT, a researcher needs to follow both human and non-human actors to see how things such management practices are constructed in a given circumstance. He/she may see how actors network in the construction of that thing. Until the researcher finds it, knowledge of that “thing” is uncertain: ANT guides us to explore new knowledge which is always ambiguous, uncertain and unpredictable. ANT defines what constitutes knowledge (epistemology) and provides a set of assumptions about the nature of the world’s reality (ontology)

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