Abstract
By JERZY R. KRZYZANOWSKI In the first booklength interview given to a Polish journalist (Ewa Czarnecka), Czeslaw Milosz, when asked about the fame brought about by the publication of his Zniewolony umysl (Eng. The Captive Mind) in 1953, responded with a shrug: What sort of fame? (CCM, 145). In the original Polish version that statement comes across even stronger, with an almost sardonic dismissal of the issue:
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