Abstract
1. 'The world has seen strange revolutions since I died': The Waste Land and the Great War Jean-Michel Rabate 2. Geographies of space: mapping and reading the cityscape Spencer Morrison 3. 'Mixing/memory and desire': what Eliot's biography can tell us Lyndall Gordon 4. Religions east and west in The Waste Land Barry Spurr 5. Popular culture in The Waste Land David E. Chinitz and Julia E. Daniel 6. Form, voice, and the avant-garde Michael Levenson 7. Dialectical collaboration: editing The Waste Land Jewel Spears Brooker 8. Doing tradition in different voices: pastiche in The Waste Land Michael Coyle 9. Gender and obscenity in The Waste Land Rachel Potter 10. Trauma and violence in The Waste Land Richard Badenhausen 11. Psychology, psychoanalysis, and new subjectives in The Waste Land Eve Sorum 12. The Waste Land as ecocritique Gabrielle McIntire Coda: The Waste Land's afterlife: the poem's reception in the twentieth century and beyond Tony Cuda.
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