Abstract
Preface Acknowledgements Chronology 1. The career strategy of an actor turned playwright: 'de l'audace, encore de l'audace, toujours de l'audace' Marie-Claude Canova-Green 2. The material conditions of Moliere's stage Jan Clarke 3. The master and the mirror: Scaramouche and Moliere Stephen Knapper 4. Moliere as satirist Larry F. Norman 5. How (and why) not to take Moliere too seriously Richard Parish 6. L'Avare or Harpagon's masterclass in comedy Robert McBride 7. Laughter and irony in Le Misanthrope Andrew Calder 8. Comedies-ballets Charles Mazouer 9. Le Bourgeois gentilhomme: Moliere and music John S. Powell 10. Medicine and entertainment in Le Malade imaginaire Julia Prest 11. Moliere and the teaching of Frenchness: Les Femmes savantes as a case study Ralph Albanese, Jr 12. L'Ecole des femmes: matrimony and the laws of chance Roxanne Lalande 13. Moliere nationalised: Tartuffe on the British stage from the Restoration to the present day Noel Peacock 14. Landmark twentieth-century productions of Moliere: a transatlantic perspective on Moliere: mise en scene and its historiography Jim Carmody 15. Dom Juan: the directors' play David Whitton 16. 'Reculer pour mieux sauter': modern experimental theatre's debt to Moliere David Bradby Select bibliography.
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