Abstract
1. Cycling through: Hitchcock and the studio system Thomas Schatz 2. Making the brand Janet Staiger 3. Hitchcock on location: America, icons, and the place of illusion Sara Blair 4. Hitchcock, class, and noir Homer Pettey 5. American civilization and its discontents: the persistence of evil in Hitchcock's Shadow of a Doubt Carl Freedman 6. Alfred Hitchcock and feminist film theory Susan White 7. Hitchcock and queer sexuality David Greven 8. Psycho and psychoanalysis Stephen Tiff 9. Expedient exaggeration and the scale of Cold War farce in North by Northwest Alan Nadel 10. Looking up: class, England, and America in The Men Who Knew Too Much Murray Pomerance 11. Seeing red: the color bleed in Hitchcock Brigitte Peucker 12. Live nude Hitchcock: final frenzies Mark Goble 13. The school of Hitchcock: in the wake of the master Jonathan Freedman.
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