Abstract

This article suggests that because during the Second World War, legions of women, for the first time, could legitimately be employed, this economic freedom facilitated a freedom to create a new kind of masculinity - that of the butch. These butches dated femmes, a new kind of woman. This type of coupling was apparent in urban culture, but was not presented on film. This article explores the idea that James Dean, an admitted homosexual, acted in Rebel Without a Cause, as a butch woman, cloaked in the guise of his fictional heterosexuality. This gave heterosexual men the permission to learn the new masculinity that had been created during the war - by butch women. Dean is the perfect butch for Judy (played by Natalie Wood), except he is male - or is he? Is it a coincidence that Hilary Swank’s Oscar-winning role in Boys Don’t Cry was frequently compared to ‘a young James Dean?’ What are the implications of Dean’s gender bending? Was Dean a new kind of man - or woman?

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