Abstract
During a relatively brief period—from the mid-nineteen-fifties to the early sixties—Paraguayan artistic production, which had been marked by inertia and chronic isolation, underwent an unusual process of renewal as it found a place in new regional artistic circuits. The Brazilian Cultural Mission, which strategically pursued rapprochement as it vied with Argentina for hegemony, coupled with a shift in Paraguayan foreign policy as the Adolfo Stroessner regime opened up to the east, favored, on a structural level, the insertion of Paraguayan modern art in the regional milieu. The Asunción-based Arte Nuevo group was central to that process.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
