Abstract

Though scholars have long recognized the influence of the antifeminist tradition on the Wife of Bath's Prologue, they have overlooked its possible impact on the fate of Jankyn's “book of wikked wyves.” Fansler noted “a rather curious literary precedent” in Marie de France's “Li Lais de Gugemar,” which described a painting of Venus committing Ovid's Remédia Amoris to the flames. A closer parallel to the scene in which Dame Alisoun “made him brenne his book anon right tho” exists, however, in several of the “Eastern” versions of the legend of the Seven Sages, or Books of Sindibad.

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