Abstract
In an era of globalization and new communication technologies, and in a present profoundly marked by colonial histories, how can we consider cultural performances in Oceania today? What do the staging and broadcasting of Oceanian cultures reveal or convey? What interpretative frameworks allow us to comprehend the social, political and cultural processes taking place both on and behind the scenes? Through these questions, this special issue of the JSO seeks to renew the prism of analysis on a ...
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