"The Blank Page" and the Issues of Female Creativity

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Previous articleNext article No Access"The Blank Page" and the Issues of Female CreativitySusan GubarSusan Gubar Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 8, Number 2Winter, 1981Writing and Sexual Difference Article DOIhttps://doi.org/10.1086/448153 Views: 62Total views on this site Citations: 31Citations are reported from Crossref Copyright 1981 The University of ChicagoPDF download Crossref reports the following articles citing this article:Peter Mortensen Witches’ Milk: Queer Breastfeeding and Alternative Kin-Making in Isak Dinesen’s “The Caryatids”, NORA - Nordic Journal of Feminist and Gender Research 130 (Aug 2022): 1–14.https://doi.org/10.1080/08038740.2022.2100824Peter Mortensen “The Juices of the Body”: Ecomasculine Fluidification in Two Stories by Isak Dinesen, Men and Masculinities 25, no.11 (Jun 2021): 106–125.https://doi.org/10.1177/1097184X211025578Ieva Steponavičiūtė Aleksiejūnienė, Jacob Bøggild, Ieva Toleikytė Guard Always Your Honor: “Ehrengard,” Karen Blixen’s Last Tale, Scandinavian Studies 93, no.33 (Oct 2021): 303–328.https://doi.org/10.5406/scanstud.93.3.0303Inmaculada Plaza-Agudo Mito, historia y testimonio: Tragedia de la perra vida (1960), de María de la O Lejárraga, Romance Studies 39, no.11 (Jun 2021): 21–34.https://doi.org/10.1080/02639904.2021.1923968Alison Sharrock Noua … corpora: New Bodies and Gendered Patterns in the Metamorphoses, Dictynna , no.1717 (Dec 2020).https://doi.org/10.4000/dictynna.2277Sophus Helle The birth of the author, Orbis Litterarum 75, no.22 (Apr 2020): 55–72.https://doi.org/10.1111/oli.12250Susan Waller The corset, the bicycle and the Hottentot: Alexandre Falguière’s The Dancer and Cléo de Mérode’s modern feminine body, Feminist Modernist Studies 1, no.1-21-2 (Sep 2017): 157–184.https://doi.org/10.1080/24692921.2017.1370258Nancy Caronia Resisting Displacement in Bernardine Evaristo’s The Emperor’s Babe, (Nov 2017): 19–50.https://doi.org/10.1007/978-3-319-58127-9_2Emily Hauser IN HER OWN WORDS: THE SEMANTICS OF FEMALE AUTHORSHIP IN ANCIENT GREECE, FROM SAPPHO TO NOSSIS, Ramus 45, no.22 (Dec 2016): 133–164.https://doi.org/10.1017/rmu.2016.8King-Kok Cheung (S)wordswoman versus (S)wordsman: Maxine Hong Kingston and Frank Chin, (Feb 2017): 29–66.https://doi.org/10.1057/978-1-137-44177-5_2Rocki Wentzel Classical Reception in Edith Wharton’s Late Fiction, Edith Wharton Review 29, no.11 (Apr 2013): 20–32.https://doi.org/10.5325/editwharrevi.29.1.0020Katerina Koutsantoni Women's Letter-Writing and Intersubjectivity in Virginia Woolf's Common Reader, SSRN Electronic Journal (Jan 2007).https://doi.org/10.2139/ssrn.1032159 Prolepses, (Jan 2006): 1–10.https://doi.org/10.1215/9780822387169-001 Always Already Queer (French) Theory, (Jan 2006): 13–30.https://doi.org/10.1215/9780822387169-003 Undoing the Histories of Homosexuality, (Jan 2006): 31–50.https://doi.org/10.1215/9780822387169-004 Queer Nation, (Jan 2006): 51–66.https://doi.org/10.1215/9780822387169-005 Queer Spectrality, (Jan 2006): 69–104.https://doi.org/10.1215/9780822387169-007 Notes, (Jan 2006): 105–148.https://doi.org/10.1215/9780822387169-008 Bibliography, (Jan 2006): 149–172.https://doi.org/10.1215/9780822387169-009Anne G. 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