The Black Chicago renaissance

Abstract

Beginning in the 1930s, Black Chicago experienced a cultural renaissance that lasted into the 1950s and rivaled the cultural outpouring of the Harlem Renaissance of the 1920s. This book analyzes this prolific period of African American creativity in music, performance art, social science scholarship, and visual and literary artistic expression. Unlike Harlem, Chicago was an urban industrial center that gave a unique working-class and internationalist perspective to the cultural work being done in Chicago. The chapters discuss the forces that distinguished the Black Chicago Renaissance from the Harlem Renaissance and place the development of black culture in a national and international context. The chapters also provoke explorations of renaissances in other cities. Among the topics discussed in this volume are Chicago writers Gwendolyn Brooks and Richard Wright, <italic>The Chicago Defender</italic> and Tivoli Theater, African American music and visual arts, and the American Negro Exposition of 1940.