Abstract
Of all the various features associated with the kabuki theatre, few are as well known outside Japan as thehanamichi, the raised runway joined to the stage at the actors' right and proceeding through the auditorium to a curtained room at the rear. Used for major exits and entrances, it is also the site of important acting sequences. Because thehanamichibrings actors and spectators into close proximity without abandoning a stage-auditorium relationship similar to that in Western proscenium theatres, it has been of considerable interest to international theatre artists. Although its aesthetic and practical uses have been described in various Western sources, little attention has been paid to thehanamichi'sorigins. Among Japanese scholars, there is nearly as much contention surrounding this question as there is among Western scholars regarding the origins of the proscenium arch, the Elizabethan theatre's alcove, or the classical Greek theatre's use of a raised stage.
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