Abstract

List of Illustrations - Acknowledgements - Foreword - The Private Comedy of Thomas Rowlandson - The Public Figure and the Private Eye: William Collins's 'Ode to Evening' - The Public Prospect and the Private View: The Politics of Taste in Eighteenth-Century Britain - 'The Dangerous Goddess': Masculinity, Prestige and the Aesthetic in Early Eighteenth-Century Britain - Visualising the Division of Labour: William Pyne's Microcosm - Imaginary Treason, Imaginary Law: The State Trials of 1794 - The Birth of Pandora and the Origin of Painting - Notes - References - Index

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