Abstract
This bibliographic study explores the interplay between the Bible and music within the context of African Christianity. Underpinned by the theory of syncretism, the paper employs a contextual thematic analysis to unravel the nexus between African indigenous music and Christian worship and draws implications for both scholarship and practice. Findings indicate that early European missionaries incited a satanic impression against the use of African indigenous music among Christian worshippers. It was contrarily revealed that Bible-informed use of African music in Christian worship is imperative for evangelisation, deeper spirituality, and faster church growth in Africa. In conclusion, the paper emphasises that the Bible and (indigenous) music are inseparable. It also maintains that music has the transformative power of fostering community cohesion, religious identity, and spiritual devotion among African Christians. Finally, the paper recommends greater collaboration among scholars, theologians, music educators, and gospel music practitioners in the African context in accomplishing the goal of the gospel.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
More From: African Journal of Culture, History, Religion and Traditions
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.