Abstract
Abstract This article deals with the intersection between bereavement, gender, and art in the context of the cult of the fallen in Israel, focusing on the life story and artwork of two women artists, Asnat Austerlitz (b. 1969) and Michal Shachnai Yaakobi (b. 1967) who experienced orphanhood in a military context. Adopting the two-track model of bereavement suggested by Simon Rubin in 1981, the article offers an analytical, interdisciplinary examination of their artworks as adult women artists who are aware of the fragility of life and its finite character but also understand the importance and significance of continuing emotional bonds after death. Both have developed in diverse medium gender-based artistic creations related to the cult of the fallen creating models of alternative and counter-hegemonic memory that are manifested through personal languages full of irony, fantasy, and pain.
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