Abstract

BackgroundThe aim of this paper is to analyze the aesthetic characteristics of the human females’ gaze using anthropometry and to present an artistic model to represent it: “The Frame Concept.” In this model, the eye fissure represents a painting, and the most peripheral shadows around it represent the frame of this painting. The narrower the frame, the more aesthetically pleasing and youthful the gaze appears.Materials and MethodThis study included a literature review of the features that make the gaze appear attractive. Photographs of models with attractive gazes were examined, and old photographs of patients were compared to recent photographs. The frame ratio was defined by anthropometric measurements of modern portraits of twenty consecutive Miss World winners. The concept was then validated for age and attractiveness across centuries by analysis of modern female photographs and works of art acknowledged for portraying beautiful young and older women in classical paintings.ResultsThe frame height inversely correlated with attractiveness in modern female portrait photographs. The eye fissure frame ratio of modern idealized female portraits was similar to that of beautiful female portraits idealized by classical artists. In contrast, the eye fissure frames of classical artists’ mothers’ portraits were significantly wider than those of beautiful younger women.ConclusionThe Frame Concept is a valid artistic tool that provides an understanding of both the aesthetic and aging characteristics of the female periorbital region, enabling the practitioner to plan appropriate aesthetic interventions.Level of Evidence IIIThis journal requires that authors assign a level of evidence to each article. For a full description of these Evidence-Based Medicine ratings, please refer to the Table of Contents or the A3 online Instructions to Authors. www.springer.com/00266.

Highlights

  • Background The aim of this paper is to analyze the aesthetic characteristics of the human females’ gaze using anthropometry and to present an artistic model to represent it: ‘‘The Frame Concept.’’ In this model, the eye fissure represents a painting, and the most peripheral shadows around it represent the frame of this painting

  • The frame height inversely correlated with attractiveness in modern female portrait photographs

  • Benslimane developed an artistic model for gaze attractiveness evaluation named the ‘‘Frame Concept.’’ By imagining the eye fissure as a work of art, he views the furthest peripheral shadows surrounding the eye fissure as the frame of this artwork [12] (Fig. 1b)

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Summary

Introduction

It is well established that a youthful attractive face presents with a full upper eyelid [1,2,3,4,5,6,7,8,9,10,11,12,13,14] and a seemingly short lower eyelid in the vertical dimension with a smooth transition at the lid- cheek junction [15,16,17,18,19,20,21,22,23,24] (Fig. 1a). The superior border of the frame comprises the most superior peripheral shadow (MSPS) between the upper eyelid margin and the eyebrow. It coincides with the upper eyelid crease in this particular model. The inferior border comprises the shadows of the tear trough (TT) medially and the lid–cheek junction (LCJ) laterally in relation to the vertical mid-pupillary line. The aim of this paper is to analyze the aesthetic characteristics of the human females’ gaze using anthropometry and to present an artistic model to represent it: ‘‘The Frame Concept.’’ In this model, the eye fissure represents a painting, and the most peripheral shadows around it represent the frame of this painting. The concept was validated for age and attractiveness across centuries by analysis of modern female photographs and works of art acknowledged for portraying beautiful young and older women in classical paintings

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