Abstract
Contents: Part One: Family Affairs: From Venice to England The Charterhouse and After The Second Generation The Third Generation Economic Affairs, Privileges and Social Standing The Bassano's Jewish Identity Part Two: The Dark Lady: Emilia Bassano and Alphonso Lanier Was Emilia Bassano the Dark Lady of Shakespeare's Sonnets? Part Three: Musical Affairs: Performing I: The Court Recorder Consort Performing II: Other Instruments Composing Instrument Making and Repairing Part Four: Concluding: Reflections Appendix I: Music and the English Bassanos after 1665 Appendix II: Jacomo and the Venetian Bassanos Bibliography Index.
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