Abstract
AbstractThis study is an iconographic analysis of ballcourt markers from the Late/Terminal Classic Maya site of Tenam Rosario, Chiapas, Mexico. The squatting posture of the two figures depicted on these markers, while rare in Lowland Maya art, is compared to Late Postclassic images of the earth deities Tlaltecuhtli and Tlaloc from Central Mexico. Contemporaneous examples of this posture are presented from the Gulf Coast site of El Tajin where squatting figures are associated with the rain god specifically and with the themes of ballgame sacrifice and regeneration in general. Tlaloc imagery in Classic Maya art is related to blood sacrifice as a complex, which includes both ritual warfare and autosacrifice. These forms of sacrifice are discussed as engendered categories in both Classic Maya and Aztec society. The Tenam Rosario markers are found to express themes that are consistent with ballgame symbolism throughout Mesoamerica, while conflating male and female aspects of blood sacrifice as regenerative ritual.
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