Abstract
The ballad as a narrative genre of the chamber-vocal music
Highlights
ХXI ■ Аспекти історичного музикознавства its tasks the concert practice of a vocal ballad performer has the realization of the narrativeness as a quality of the performing-composing interpretation, which represents the understanding and presentation of the artistic potential of a musical composition
The narrativeness in the vocal music is primarily related to its extra-musical source
Since the text is used in the vocal music, here we should talk about the narrative with all the specifics of its action
Summary
ХXI ■ Аспекти історичного музикознавства its tasks the concert practice of a vocal ballad performer has the realization of the narrativeness as a quality of the performing-composing interpretation, which represents the understanding and presentation of the artistic potential of a musical composition. The nature of the narrativeness: in the vocal ballad it determines the verbal text, and the means of musical expression, as a rule, embody both the events reflected in the text and their emotional assessment.
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