Abstract
This paper analyses the relation between the authorial and textual subject of Ode I 9, Vides ut alta, and Ode II 19, Bacchum in remotis, as a means of transition from a figurative represented world to an author’s experience of the creative process, understood as Horace’s attempt to capture the creator’s natural need to transform this key experience into an act of poetic communication. As a starting point for analysis, the construction of the subject-bard (vates) and the topics of poetic frenzy (ingenium, insania, mania) shaping the poet’s image as a medium between the divine sphere of inspiration and the poetic communication turned towards the sender were adopted.
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