Abstract

Tsantsas, commonly referred to as “shrunken heads”, are unique and valuable antiquities that were produced by the Shuar, Achuar, Awajún/Aguaruna, Wampís/Huambisa, and Candoshi-Shampra (SAAWC) peoples until the mid twentieth century. Originally used with ceremonial purpose during important social group functions, tsantsas became monetarily valuable as keepsakes and curios during the nineteenth century as a result of Western/European cultural encroachment. Unmet demand resulted in the production of convincing forgeries that created confusion about the authenticity of existing collections. Ceremonial tsantsas are both human remains and valuable cultural items. Their production and purpose were negatively influenced by colonialism and the outside curio market; as such many institutions may choose to repatriate them to their places of origin. Herein, we report on the authentication and repatriation of a ceremonial tsantsa recently rediscovered in a university’s natural history collection. The personal memoirs of the original collector describe that it originated in the Ecuadorean Amazon. In consultation with the government of Ecuador, it was determined that authentication was required prior to repatriation. The tsantsa was compared to a list of thirty-three distinct characteristics shared by ceremonial tsantsas. These criteria were taken from those provided by Ecuador’s National Cultural Heritage Institute and those found in prior studies from the academic literature; they include notable skin and hair features, structure and facial anatomy, and evidence of traditional fabrication and modification. We were able to affirm 30 of the 33 authenticating indicators. As part of our protocol the tsantsa was scanned with a CT-imaging system. The resulting 3D images were invaluable in discerning subtle and difficult-to-visualize characteristics regarding the skin and patterns of modification, although there are limitations related to the small size of filamentous structures. The results of the authentication were accepted by the Ecuadorean government, and the tsantsa was repatriated in June 2019. An additional benefit of CT-imaging is that data files can be generated in order to create rapid prototypes via 3D printing. In fact, as our work demonstrates, artifacts of value can be repatriated while simultaneously preserved as a volumetric replica for the purposes of a collection.

Highlights

  • Tsantsas, commonly referred to as shrunken heads, are rare cultural artifacts that were made from human remains by certain indigenous culture groups of Ecuador and Peru

  • Repatriation of the Mercer tsantsa to Ecuador required the generation of a report that 1) provided evidence of the provenance of the artifact and 2) compared the artifact to ceremonial tsantsas using criteria provided by the Instituto Nacional de Patrimonio Cultural (INPC)

  • These papers define ceremonial tsantsas as those produced by the SAAWC culture groups using traditional methods, while commercial tsantsas are a broadly defined category of artifacts originating in the nineteenth and twentieth centuries and produced for profit as opposed to meaningful cultural purposes

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Summary

Introduction

Commonly referred to as shrunken heads, are rare cultural artifacts that were made from human remains by certain indigenous culture groups of Ecuador and Peru. In 2016 Houlton and Wilkinson [2] published additional characteristics for identifying authentic ceremonial tsantsas. Charlier and coworkers [12] identify that authentic tsantsas possess an “oval shape of the neck in cross-section and/or lateral compression of the head.” As written, the two observations in this criterion involve both structure and modification during processing, and could not be separated.

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