Abstract
In Euripides’ Cyclops 82 f., the satyrs are supposed to order the “attendants” to drive the sheep of the Cyclops into his cave. The essay attempts to show that these attendants are identical with the mutes who represent the sheep. A comic effect is achieved by the fact that the same ‘sheep’ which a minute ago have obstinately refused to enter the cave, now obediently follow the order of the coryphaeus. If this interpretation is correct, Euripides in his satyr play employed a stage convention that is typical of comedy. In addition I will argue that the extras, after their appearance as sheep, adopt the role of Odysseus’ companions and that therefore, since in the Homeric Kyklopeia there are 12 companions, we may assume that in the Cyclops there were 12 companions respectively sheep. The possibility that in the parodos each satyr interacted with one sheep strengthens the assumption that the satyr chorus – at least in the Cyclops – consisted of 12 members.
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