Abstract
Click to increase image sizeClick to decrease image size ACKNOWLEDGEMENTSThe author thanks Dr. Jeremy Stolow for introducing her to the work of Marie-José Mondzain and to peers in COMS 642-893.DISCLOSURE STATEMENTNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsM. C. CambreMaria-Carolina Cambre's work explores vernacular visual expression asking: How do people produce and direct the visual space? How is the image a doing? What are the social and cultural work/ings of images? Broadly situated in visual sociology and post-critical pedagogies, her interests range from critical policy analysis, sociology of information, image studies, to the politics of representation. She has ongoing projects on visual processes of legitimation, representation of online sharing, selfies and polymedia literacies. She is the author of: The Semiotics of Che Guevara: Affective gateways (2015/16), and co-author of Towards a Sociology of Selfies: The Filtered Face (2023). https://www.carolinacambre.com/
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