Abstract

Abstract The Ashes Series depicts the suffering of war not through human displays of emotion, but rather through the absence of human life in once occupied homes. It investigates the impact of the destruction of these private, domestic spaces in war and media images of such destruction. These intimate spaces are literally ripped open and become public through external violence and the act of destruction. The images exist in the aftermath of atrocity, with the presence of the human spirit represented only by the monochromatic whiteness of the ashes. The Ashes Series represents the artist’s attempt to make sense of destruction and to preserve the moment of serenity after the dust has settled: to give the ephemeral moment extended life in a mix of beauty and violence.

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