Abstract
Three artworks are discussed in detail by Heidegger in his lecture “Origin of the Work of Art.” Prioritizing one work above the others affects what is understood to be the overall project of the lecture. Because of this, we need to attend closely to the debate in the literature about the most important work of art in Heidegger’s “Origin of the Work of Art.” This article explores the debate by looking at three positions. I examine each of these positions independently. In the final section I side with those scholars who take the ancient Greek temple to be the most important work in Heidegger’s lecture. I argue that the reason why the temple is the most important is its ability to disclose community.
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