Abstract
That F. Scott Fitzgerald was an ironist, simultaneously engaged in and detached from his subject, has become a critical commonplace. What remains to be pointed out is his use of a particular type of imagery to create his complex effects. In The Great Gatsby, his best finished work, there is evidence of an image-pattern apparently calculated to form in the reader an ironic double vision of the book's
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
