The Artful Species

Abstract

Abstract This book explores the idea that our aesthetic responses and art behaviors are connected to our evolved human nature. Our humanoid forerunners displayed aesthetic sensibilities hundreds of thousands of years ago and the art standing of prehistoric cave paintings is virtually uncontested. After introducing the topic, Part I analyzes the key concepts of the aesthetic, art, evolution, and how they might be related. Among other issues, there is consideration of whether animals have aesthetic tastes and whether art is not only universal but cross-culturally comprehensible. Part II is on aesthetics. The many aesthetic interests that humans take in animals and how these reflect our biological interests are examined, as is the idea that our environmental and landscape preferences are rooted in the experiences of our distant ancestors. In considering the controversial subject of human beauty, evolutionary psychologists focus on female physical attractiveness in the context of mate selection, but here a broader view decouples human beauty from mate choice and explains why it goes more with social performance and self-presentation. Part III asks if the arts, together or singly, are biological adaptations, incidental by-products of nonart adaptations, or so removed from biology that they rate as purely cultural technologies. None of the many positions examined is conclusively supported, but there are grounds, nevertheless, for seeing art as part of human nature. It serves as a powerful and complex signal of human fitness, and so cannot be incidental to biology. Indeed, such behaviors are the touchstones of our humanity.