Abstract
Stereophonic reproduction is an art form often at odds with analytical testing. The author presents a breakdown of the aspects of stereo reproduction, including musical acoustics and the electroacoustics, to room acoustic assessment and the psychoacoustics used in the assessment and enjoyment of this common art form. This goal is to provide a holistic overview and encourage discussion and improvements in the processes used in the production of the art, as well as the analysis and dialog of the consumers of the art.
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