Abstract

This article investigates the under-researched sphere of insurance. It uses empirical research data to focus on one case study, the London art world, to analyse how the global art insurance industry ‘does’ security and how it enables risk and security to be embraced. Examining how the industry plays a crucial role in the security of art and within the art world itself, the article argues that the global art insurance industry’s role is largely beneficial for the art world because by enabling risk to be embraced through insurance, its pre-crime and post-crime responses, and its influence ‘beyond’ insurance, it emboldens and fuels the dynamic, thriving global art world.

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