Abstract
The issues of interaction between art and politics are part of the problematic field of the social history of art, where one of the most significant issues is related to the assessment of the possibilities of cultural solidarity, which often goes beyond the declared politicization. In reality, oppositional cultural practices focus not only on undermining political regimes, but also on established ways of seeing and perceiving. This article presents a study of the politicization of Spanish art during the Francoist period and analyzes the role of politically and socially involved art in the formation of an anti-Francoist opposition and an alternative artistic discourse to official aesthetic attitudes.
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