Abstract
Introduction to the New Edition Art History: Making the Visible Legible 1. ART AS HISTORY Introduction Preface to Part III of 'The Lives' Reflections on the Imitation of Greek Works in Painting and Sculpture Winckelmann Divided: Mourning the Death of Art History Patterns of Intention 2. AESTHETICS Introduction What is Enlightenment? Philosophy of Fine Art Impure Mimesis, or the Ends of the Aesthetic Fetish 3. FORM, CONTENT, AND STYLE Introduction Principles of Art History Style 'Form', Nineteenth-Century Metaphysics, and the Problem of Art Historical Description 'Style' 4. ANTHROPOLOGY AND/OR ART HISTORY Introduction Leading Characteristics of the Late Roman 'Kunstwollen' Images from the Region of the Pueblo Indians of North America Warburg's Concept of 'Kunstwissenschaft' and its Meaning for Aesthetics Silent Moves: On Excluding the Ethnographic Subject from the Discourse of Art History 5. MECHANISMS OF MEANING Introduction Iconography and Iconology: An Introduction to the Study of Renaissance Art Semiotics and Iconography Semiotics and Art History: A Discussion of Contexts and Senders Meaning/Interpretation 6. THE LIMITS OF INTERPRETATION Introduction The Temptation of New Perspectives The Origin of the Work of Art The Still Life as a Personal Object - a Note on Heidegger and van Gogh Restitutions of the Truth in Pointing [Pointure] 7. AUTHORSHIP AND IDENTITY Introduction What is an Author? The Discourse of Others: Feminists and Postmodernism Re-Viewing Modernist Criticism Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory Postmodern Automatons 'Every Man Knows How Beauty Gives Him Pleasure': Beauty Discourse and the Logic of Aesthetics Queer Wallpaper 8. GLOBALIZATION AND ITS DISCONTENTS Introduction Orientalism and the Exhibitionary Order The Museum as Ritual The Work of Art in the Age of its Technological Reproducibility (Third Version) Can Our Values be Objective? On Ethics, Aesthetics, and Progessive Politics Visual Culture Studies: Questions of History, Theory, and Practice 'Life-Like': Historicizing Process in Digital Art Epilogue: The Art of Art History Coda: Plato's Dilemma and the Tasks of the Art Historian Today
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
