Abstract

The Nyanga district of eastern Zimbabwe shows a cultural history that is similar to the rest of Zimbabwe and the southern African region. Although largely undated, the Stone Age—from the Early Stone Age, the Middle Stone Age, through to the Later Stone Age hunter-gatherers—is represented at a number of open sites and rock shelters. Later Stone Age rock art, some of which exhibits rather unique artistic attributes and characteristics such as the stripped images, has been recorded in this area. The advent of settled iron-using farming communities is also evident, as elsewhere in southern Africa dating from the 2nd to the 3rd century ce. The well-known Early Farming Communities Ziwa ceramic tradition of southern Africa is in fact named after the type site in this district. The Nyanga district is however particularly famous for its stone constructions that come in a variety of forms, consisting of stone terraced hillsides, which extend for almost sixty-five miles from north to south and cover some twenty-three hundred square miles, as well as stone-lined pit structures, hilltop forts, stone-walled enclosures, and trackways. Dating from the 14th to the early 19th century, the culture is one of the Later Farming Community cultures of Zimbabwe. The stone architecture and several other cultural aspects differ from those of the more famous Zimbabwe Culture, such that, although the two entities partly overlapped chronologically, Nyanga represents a separate cultural development in Zimbabwe’s history. The purpose of the stone structures has been a subject of archaeological debate for some time. The majority of scholars generally agree that the terracing and pit structures were constructed for agricultural and animal herding practices. However, since the early 2010s, some scholars have somewhat unconvincingly argued that gold-mining and processing were the primary motivation for the Nyanga architectural remains. The traditional view of the communities associated with the Nyanga stone architecture has largely seen them as representing basic peasant agricultural people lacking complex sociopolitical organization. However, examination of the scale and extent of the architecture, including consideration of the size of the enclosures and their spatial distribution, strongly suggests that the Nyanga people were organized as fairly complex sociopolitical formations that are archaeologically consistent with the chiefdom level, at the very least.

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