Abstract
Introduction Chapter 1: 'The Television Documentary' and the Representation of National Identity and Shared Memory Chapter 2: Television, Nationalism, and Globalization Chapter 3: Co-Producing Television Programmes Chapter 4: The Cultural Economy of 'Televised History' through the Lenses of 'The Fifty Year War: Israel and the Arabs' Pre-production. Chapter 5: Editing Nation and Culture: the Three Final Cuts Chapter 6: TV 'Tension': Globalization vs. Nationalism and Shared vs. Cosmopolitan Memory in Co-Produced Television Documentaries Conclusion.
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