The Arab American Polyphonic Novel and Its Indictment of the Post-9/11 Political Agenda

Abstract

Following 9/11, the United States, led at the time by the George W. Bush administration, formulated and disseminated a political narrative replete with falsehoods and rigid binaries intended to justify changes to its domestic and foreign policy. That narrative was based on Orientalist tropes and American exceptionalism – ideas which have been part of American political discourse for more than a century. Two post-9/11 multi-narrator novels – Laila Halaby’s Once in a Promised Land (2007) and Laila Lalami’s The Other Americans (2019) – respond to the dominant political narrative by deconstructing the binaries it is based on and by demonstrating its harmfulness to American society. Through close readings that analyze the ideological implications of the polyphonic novel form, this paper reveals that Halaby’s and Lalami’s novels implicate the narrative in the destructive political polarization of the 2000s and the 2010s while subverting persistent modes of anti-Arab and anti-Muslim sentiment. Mikhail Bakhtin’s notions of polyphony and dialogism, as well as Jody Byrd’s concept of cacophony, clarify the ways that narration is used in Once in a Promised Land and The Other Americans to enable the indictment of the post-9/11 narrative.