Abstract

ABSTRACT John Updike’s notorious penchant for using the male point of view should not be attributed to the author’s alleged misogyny; on the contrary, his careful handling of male and female perspectives deserves close re-evaluation. After tracing how the young Updike struggled to incorporate a female point of view in his early fiction and, for a time, settled on employing a male perspective in his mid-career stories of Richard and Joan Maple, this essay revolves around a female-voiced story “Killing” (drafted in 1975 and published in 1982), scrutinizing its publication history and the archival materials associated with it. As a result, we see that the story demonstrates Updike’s successful attempt to explore a woman’s interiority as well as shows an example of his subtle craftsmanship, involving his use of the pronoun us at the sto-ry’s dénouement. Moreover, “Killing” foreshadows Updike’s female narratives in his late phase, especially Seek My Face (2002), where the similar technique is extensively utilized to portray two women’s incompatibility and their following reconciliation.

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