Abstract
This is a short report, first published in French in 1908, on Émile Reynaud’s ill-fated Stéréo-Cinéma, the last incarnation of his renowned Praxinoscope (first marketed in 1878). The Stéréo-Cinéma was intended to attract interest within the trend of animated portrait photography. This text contributes to our understanding of the limits of designating any clear-cut distinction between proto-cinematography and cinematography.
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