Abstract

The article discusses the suffrage periodical press and shows how the disjunction between ‘the public face of suffrage’ and the aspirations of feminist dissidents led to the publication of a new feminist paper, The Freewoman, edited by two disenchanted suffragettes, Dora Marsden and Mary Gawthorpe. The Freewoman and its successor, The New Freewoman, had a symbiotic relationship to the women's suffrage movement. But Marsden's literary interests and her interest in philosophical individualism resulted in a decisive break with the Edwardian women's movement. The Egoist, which evolved out of The Freewoman, severed all earlier connections with feminism, suffrage and progressive politics.

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