Abstract

Introduction: From Bird Song to Atom Bomb Theorizing the Lyric 'Form Gulping After Formlessness': Petrarch's Resistant Lauras in Stevens' 'Auroras of Autumn' 'The Intricate Evasions of As': Stevens' 'An Ordinary Evening in New Haven' 'Infinite Mischief': Robert Lowell's Fiction of Desire in The Dolphin 'Solid with Yearning': Lowelling and Laurelling in Day by Day Day Re-Versing the Past: Adrienne Rich's Outrage against Order 'At Long Last First': Adrienne Rich's Dark Fields and Samuel Beckett's Colorless Cliff After-Words

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