The Amasis Painter

Abstract

In JHS lxviii (1948), p. 148, Mr. R. M. Cook drew attention to a problem concerning the name of the potter or painter Amasis and the chronology of Attic black-figure vase painting. So far as I know it has remained unanswered and discreetly ignored. Mme. Karouzou's fine study of the Amasis Painter prompts a further discussion of the problem which seems a very real one. It may be briefly restated as follows. Amasis, potter or painter, was named after the philhellene Egyptian king Amasis (A-ahmes) whose reign began in 569–568 B.C. As a citizen of Athens he would have received his name at his birth, which cannot therefore be earlier than 569–568. Cook thought it could hardly be before 565, and certainly the nationalist A-ahmes would not have made much of a mark as a philhellene early in his reign, as he had to seize the throne from Apries who was supported by Greek mercenaries. Yet by the current chronology of Attic black-figure the Amasis Painter had begun to work by about 555. If the signature Αμασιςμεποιεσεν means that Amasis was the potter, not the painter, we have to face the fact that his work too may go back at least as early because he made vases for the painter Lydos. If it means that he was the pottery-owner, the terminus is given by the earliest vase bearing his signature, and this is still around 550. The last explanation is the least satisfactory both for the interpretation of the signature and for the fact that it is easier to believe in a child artist than in a child industrialist. Unless Amasis was a prodigy, something is wrong somewhere in the argument. The fault must lie either in the accepted chronology for Attic black-figure or in the arguments about the name Amasis.