Abstract

The discourse on the body is not exactly new, but it has gained a kind of ascendancy in matters of aesthetics, especially where university art history and criticism are concerned. Hence the visible changes in methods and formulations. After much water under the bridge, the question of art is paradoxically back in statu nascendi, insofar as its principle is being extended without faltering to new approaches and objects. When he explored the idea of the “artification” of experience in 1978, Ala...

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