Abstract
Following the framework of affect theory and performativity, the investigation traces how doubt emerges among subjectivities and constructs structures of feeling around recent history in Argentina. To develop its affective theory of doubt, the paper presents a case study of Última(s) catástrofe(s), a site-specific performance by Compañía de Funciones Patrióticas. Through an immersive, first-person dramaturgical analysis of the performance event, the paper re/constructs the sensations at play and postulates doubt as a vital tool of societal re/making.
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