The Aesthetics of Protest: Street Politics and Urban Physiology in Bangkok

Abstract

The urban street is a significant canvas within the material cartography of the nation-state's spatial frontier. Between March and May of 2010, the United Front for Democracy against Dictatorship, also known as the “Red Shirts,” painted Bangkok red as one of the most cohesive assemblage of street protests in Thai political history. Each protestor donated ten cubic centimeters of blood to be poured at several sites, including the Government House of Thailand, the ruling Democrat Party headquarters, and the Prime Minister's residence. Other vials were used to paint murals along the walls of the Old City. The intensified aesthetic presence of Thailand's rural voting majority challenged a historic marginality in the Thai polity, and was one of many semiotic tactics that foreshadowed the violence of the eventual military intervention under the name “Operation Reclaim Space.” The city itself was projected as a wounded body, while the Red Shirts—as Thongchai Winichakul [“The ‘Germs’: The Reds' Infection of the Thai Political Body,” New Mandala, May 3, 2010, available online at < http://asiapacific.anu.edu.au/newmandala/2010/05/03/thongchai-winichakul-on-the-red-germs/#more-9382>] so observed at the time—were heavily objectified as germs invading the sanitary walls of the city. This approach to protest in Bangkok treats the development of the contemporary polis as an urban physiology, simultaneously driven by an intensification of presence and the “good health” prerogatives of acceptable citizenship in the global city.