Abstract
Acknowledgements Preface Illustrations Part I. Mothers, Fathers and Monarchs: 1. Happy mothers and other new ideas in eighteenth-century French art 2. Fallen fathers: images of authority in pre-revolutionary French art 3. Ingres and the politics of the restoration Part II. Modern Art and the Social Relations Between the Sexes: 4. Virility and domination in early twentieth-century vanguard painting 5. The esthetics of power 6. When greatness is a box of wheaties Part III. Teaching, Talking aand Exhibition Art: Institutional Settings: 7. Teaching the rich 8. Neutralising the age of revolution 9. Making an art of work 10. In the eye of the soldier 11. Who rules the art world? 12. The momas hot momas Part IV. The Life and Works of Cheryl Bernstein: 13. Introduction by Carol Duncan 14. The fake as more by Cheryl Bernstein 15. Performance as news: notes on an intermedia guerilla art group by Cheryl Bernstein.
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