Abstract
This article focuses on the description and analysis of the aesthetic of German films of the twenties and their subsequent influence in the first Mexican fantastic and horror films of the thirties. To this purpose, I focus on the strong influence of the film Das Kabinett des Dr. Caligari by Robert Wiene (1920) on the horror genre and the topics and filmic adaptations that German and Mexican filmmakers subsequently addressed and developed. A special issue of this article is the study of the inclusion of expressionistic features in both German and Mexican film, among other artistic influences, through the use of lighting, set design, and filmic montage. In addition to the exploration of aesthetic elements, I analyze those that are linked to horror and fantasy in each film as a result of literary and filmic influences and how the migration of German filmmakers, film technicians and artists to the United States was an important aspect which specifically contributed to the establishment of horror and fantasy in film in the United States and later in Mexico. This overview will serve to reveal how the first Mexican horror and fantasy films were a result of foreign influences —especially German influences—, but also of Mexico’s own filmic exploration in the thirties, a decade before of the Golden age of Mexican cinema.
Highlights
De acuerdo a Carlos Clarens (1967) e Ivan Butler (1967), los antecedentes del cine de horror pueden encontrarse primeramente en el cine fantástico de Georges Méliès quien, como otros cineastas de principios del siglo xx
This article focuses on the description and analysis of the aesthetic of German films of the twenties and their subsequent influence in the first Mexican fantastic and horror films of the thirties
In addition to the exploration of aesthetic elements, I analyze those that are linked to horror and fantasy in each film as a result of literary and filmic influences and how the migration of German filmmakers, film technicians and artists to the United States was an important aspect which contributed to the establishment of horror and fantasy in film in the United States and later in Mexico
Summary
De acuerdo a Carlos Clarens (1967) e Ivan Butler (1967), los antecedentes del cine de horror pueden encontrarse primeramente en el cine fantástico de Georges Méliès quien, como otros cineastas de principios del siglo xx Las películas fantásticas y de horror alemanas, entre otras películas de diferentes géneros, también fueron producto de la exploración técnica de la cinematografía durante la búsqueda por construir una nueva forma de expresión artística a través del cine y de generar una industria atractiva para los espectadores (Elsaesser, 2002).
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