Abstract
ABSTRACTWhile Anton Chekhov’s influence on Katherine Mansfield is widely acknowledged, the two writers’ settler colonial aesthetics have not been brought into systematic comparison. Yet Chekhov’s chronicle of Sakhalin Island in the Russian Far East parallels in important ways Mansfield’s near-contemporaneous account of colonial life in New Zealand. Both writers are concerned with a specific variant of the colonial situation: settler colonialism, which prioritizes appropriation of land over the governance of peoples. This article considers the aesthetic strategies each writer develops for capturing that milieu within the framework of the settler colonial aesthetics that has guided much anthropological engagement with endangered peoples.
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