Abstract
The aesthetics of Mikhail Lifshits may be characterised as a quest for pravda (truth/justice) in art. The article discusses his assessment of the fate of art in the communist revolution and his view on revolution through the prism of classical art. Pondering the metaphysical foundations of his realist aesthetics, Lifshits offered a naturalistic version of the theory of reflection based on the contradistinction of “big” and “small” being.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
